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Jack Penny Viewing himself as a 21st century documentarian of city life, like George Grosz did before him, Penny paints uniform and seemingly anonymous figures clustered together, as if they were searching for validation in numbers. Rather than relying on manipulative techniques to develop a painting, Jack is conscious of trying to spark his audience’s sensory awareness as they experience his work. As he paints, Penny attempts to act before making choices. Without hesitation, he responds spontaneously to the work developing before him, relying only upon his initial instincts when making decisions regarding the colours, textures or lines. Penny’s influences include the instinctive spontaneity of de Kooning, the palette of Diebenkorn, the vulnerability of Baselitz, and the vitality of Nick Cave. Over the past two years, Jack has shown four solo exhibitions in London, Berlin, and Hong Kong.
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